Wednesday, June 07, 2006
Thank You
A very special thanks goes out to Robin Estes for graciously allowing the use of photos from her CD archive!
Paul Jung
Chesty Mortimer


It's hard to be certain but I believe that Chesty's presentation of this gag pre-dates the very popular version done by Otto Griebling (widely credited with creating the routine) and his longtime sparring partner Freddie Freeman first on the Cole Bros. and later on the Ringling circus.
At any rate, this photo was used by artist James Shucker as the source for the illustration of the Boxing Gag in Felix Sutton's 1953 book The Book of Clowns.
--------------------------------------------------------------------------------
THIS JUST IN:
The 1931 Hagenbeck-Wallace program lists the boxing gag as being performed that year by Poodles Hanneford and Otto Griebling. This would pre-date Otto's version of the Cole show a few years later. It would be interesting to know how this version compared to Otto performing it with Freddie.
And just why is it that Otto could only perform the gag with other equestrian clowns?
Harry Dann

Harry's distinct neat whiteface makeup was appropriated by scores of other clowns and continues to be used to this day on posters, programs and circus tickets around the world.
Chester Sherman
Tuesday, June 06, 2006
Mark Anthony
Abe Goldstein
Monday, June 05, 2006
Pinocchio and Emmett
Abe Goldstein


These are not the greatest photos of Abe, but here are two snapshots from very late in his career at Gil Gray's Dr. Pepper Circus at the Texas State Fair, I have no idea of the year. The second is Abe, Dime & Connie Wilson and Freddie LeVine.
Photos and description courtesy of Bill Strong
Sunday, June 04, 2006
A Collection of Photos
Another Collection

Starting from the upper left: Master Clown Bobby Kaye (Robert Smiley), Master Clown Lou Jacobs, Mark Anthony and Duane "Uncle Soapy" Thorpe, Bobby Kaye again, two unidentified early Clown College grads posed with Reggie Montgomery in the center, another Bobby Kaye and we finish up with Merle Evans and Mike "Coco" Polikov.
The Sherman Brothers

Nineteen year old Joe Vani answered an ad looking for an experienced acrobat to fill an opening in the Kenneth Waite Trio. The other members of the trio were Kenneth Waite and Chester Sherman. As part of the trio, Joe spent 18 years watching, learning and developing his skills as a performer. When Kenneth Waite retired, Joe and Chester formed a partnership that became known as the Sherman Brothers. So closely were the men identified as brothers, that many newspaper articles identified Joe as Chester's "baby brother". The Sherman Brothers entertained circus audiences across the United States for over 43 years (1932-1975). They toured with the Howard Circus, the Pollack Brothers Circus, Carden-Johnson, and The Orrin Davenport Shrine Circus. Tlhe Sherman Brothers performed in over 139 different Shrine Circuses. Joe and Chester worked with all of the greats: Otto Griebling, Emmett Kelly, Sr., Felix Adler, Shorty Flemm, The Black Brothers, Jimmy Davison, Bobby DeKoe, and many others. While they learned from those wonderful clowns, they also developed their own classic routines. They remained active partners until Chester passed away in 1976.
Description from the International Clown Hall of Fame website:
http://www.theclownmuseum.org/inductees/95induct.html
Eddie Dullum

Today's neat whitefaces might consider reviving this forgotten element of mid-century makeup design.
Harold Simmons and Gene Randow

Joe Lewis
The Fratellinis



The Fratellini brothers, Francois, Albert and Paul, were the first and undoubtedly the greatest of all classic circus clown trios. They grew up in the circus, where their father was a trapeze artist and acrobat. They worked as clowns in pairs until their eldest brother died in 1909, whereupon they formed their unique triple act. Their three characters provided clear, effective contrasts: Francois, the elegant whiteface clown; Albert, the grotesque auguste, and Paul, the "contre-auguste", half-way between them, sometimes taking one brother's side, sometimes the other's.
The makeup Albert designed for himself—high black brows, exaggerated mouth, and bulbous red nose—single-handedly redefined the role of the circus auguste, influenced scores of later clowns (most prominently, Lou Jacobs) and is responsible for the American auguste as we know it today.
The brothers toured in Europe and Russia before joining the Cirque Medrano in Paris, where they were widely acclaimed and admired. Many of their children became successful clowns, notably Paul's son Victor (1901–79) and granddaughter Annie (1932–97).
Billy McCabe

Subscribe to:
Posts (Atom)