Saturday, November 08, 2008

IVAN MLADEK: Jozin z Bazin


Jožin z bažin is one of the best known songs by Czech musician and comedian Ivan Mládek. 

In January 2008, the song became popular in Poland and Hungary, topping several radio popularity polls. It is also popular in Austria and Russia, sporting a cult following in blogs and several versions of translations.

The song is a surreal tale of a mysterious man-eating monster (Jožin z bažin: "Joe from the Swamps") living on the swamps. He could be defeated only with the use of a cropduster.

I like that fact that almost every single member of the band resembles Andy Kaufman to some degree and the guy who comes in at about the two minute mark looks like he might have been related to the weird little guy in The Nitwits.


That said, it's catchy but it's no "Kuliki Taka".

POODLES HANNEFORD: Movie Star, undated


Edwin "Poodles" Hanneford as a train porter, from one of his silent short films.

VALERIY SEREBRYAKOV



Friday, November 07, 2008

FRANKIE SALUTO: With Mystery Clowns


That's Frankie Saluto in the center. Can anyone identify the two other clowns with him?

MARK LAVENDER: Circus Musings



"The THEE-UH-TAH, the THEE-uh-tahhhh, what's HAPPENED to the THEE-uh-tahh?"

That plaintive question can be applied to the circus in America and elsewhere...
What's happened to the circus?

There are many good folks who are endeavoring daily to carry on the traditions... and there are again, so many good folks, good acts that have passed and are passing into history... and there would seem to be fewer and fewer new folks carrying on in that tradition of excellence.

We could blame many different causes... radical racketeering type groups, burgeoning regulations, the economy, lack of interest in traditions, modern media and entertainment....even laziness... but, circus hasn't disappeared... not yet... not by a long shot.

Granted there are some out there who might appear to be clueless as to what makes for a skillful and classy show... granted there are those who just "walk through" the steps in performance... granted there are some out there who are just plain discouraged.

But showmanship requires vision, nerve, skill, ability, the will to produce and display performances that enthrall, captivate, and inspire.

The circus needs a true sense and spirit of showmanship in order to shine.

The circus needs a true sense of community and belonging, a sense of SHARED VISION and FOCUS.

Without focus on the goal, the results are paltry.
Without shared vision and focus, there is no professionalism.
Without the professionalism, there is no excellence.

The circus is about, should be about one doing the very best to deliver performances that grab the senses, the imagination, and inspire dreams.

These things elevate the circus to an art. In its best sense, the circus should be about artistry.

To merely put on a costume and display skills is amateur at best, and can waste one's talents ...

To show spirit, heart, joy in living, and joy in presenting your skills and talents... as a gift for your audience, not just as mere entertainment, but to uplift... inspire... and create wonderful memories...

We hold our good memories dear and close to our hearts and we long for the "good old days" when such memories were gifted to us through the fine and wondrous performances displayed by talented, energetic, and polished artists of the times when the circus came to or near our towns.

Those wonderful memories were created in the present tense back then. Wonderful memories are created today, in the present tense... for today... for the future.

It would just seem that there are fewer memories around, being created for the future.

We may hear sad and wistful comments in various places longing for acts "like we used to have" back in the day and we may bemoan the difficult atmosphere that exists where it is harder for circuses to do what they have done in earlier years. We may even bemoan the pedestrian efforts of some who proffer what they would pass off as showmanship.

We have given in to despair in some ways... we have become fatalistic, complacent... even.. well, even lazy.. this laziness grew over time within the circus community.

It can be reversed IF we want it to!

There needs to be a renewed attitude among showpeople that says, "Watch me! You ain't never seen anything like this before, and you may never again!"

This attitude demands practice and polish and the will to never settle for anything but the best you can do.

But this is not the end of it... not the end of the circus... I don't believe it for a minute.

Maybe circus is just in partial hibernation or retreat, for lack of a better term...

The circus is never over unless and until EVERYBODY gives up on it... and you can bet there are plenty of folks out there who are not willing to let that happen.

There CAN be a renaissance of the circus tradition... there can be a rebirth of this worthy art form.

Good memories are created in the NOW.

It's up to any of us out there who haven't thrown out their "give a damn", whether you are one who would be an artist or an audience.

Give a damn.

~Mark Lavender

CLOWN ALLEY: The Big Apple Circus, 1991

Video courtesy of circopedia.org


Barry "Grandma" Lubin and Jeff "Le Clown Gordoon" Gordon in their water entree from 1991's production Greetings from Coney Island.

CHARLIE RIVEL : Munich, 1971

Charlie Rivel preparing for a performance in Munich January 28, 1971.

VICTORIA CHAPLIN: Cirque Invisible

Oona O'Neill Chaplin with her daughter Victoria, whose famous father is Sir Charles Spencer Chaplin (1889 - 1977) the English film actor and director. They had just arrived at Southampton on the Queen Elizabeth in September of 1952. 


July 15, 1957: British born film actor, director and producer Charlie Chaplin on holiday in Saint Cap Ferrat with his family, (from left) his wife Oona and their children, Geraldine, Eugene, Michael, Victoria and Josephine.


Victoria Chaplin from Wikipedia

Victoria Chaplin (born May 19, 1951) is an American actress, the daughter of actor/comedian Charlie Chaplin and Oona Chaplin O'Neill, the granddaughter of Eugene O'Neill.

She was born in Santa Monica, California in 1951. Her siblings are Geraldine Chaplin, Josephine Chaplin, Christopher Chaplin, and Michael Chaplin. With her husband Jean-Baptiste Thiérrée, she created Le cirque bonjour, then Le cirque imaginaire, later Le cirque invisible, modern travelling circuses which some credit as a source of inspiration for the Cirque du Soleil. Their son, James Thiérrée, is also an actor and performed as a child in their circus.

Thursday, November 06, 2008

AURELIA THIEREE: Aurélia's Oratorio


I was looking forward all week to seeing this at the McCarter Theater in Princeton tonight, only to find that it's been cancelled.

Aurelia Thieree is the sister of James Thieree, daughter of Jean-Baptiste Thieree and Victoria Chaplin, grandaughter of Charlie Chaplin and Oona O'Neill and the great granddaugher of Eugene O'Neill.




Aurélia's Oratorio

Written and directed by Victoria Thierrée Chaplin
Starring Aurélia Thierrée
and featuring Jaime Martinez and Julio Monge

November 28 – January 3
At the American Repertory Theatre, Loeb Drama Center


ERNIE "BLINKO" BURCH: With Small Child


You know, it's hard to believe now but years ago... back before John Wayne Gacy and Stephen King turned us all into monsters, clowns were actually looked upon as one of the simple joys of childhood; "Capricious Ambassadors of Fun!"

Of course that was back in the days when Circus Day, not a trip to Disney World, was the greatest thing that a kid could imagine.

Now, in the age of Shrine Clowns, Hometown Clowns and Macy's Volunteer Clowns we wonder just why it is that television and movies so often portray clowns as humorless, talentless, kid-hating drunks... or worse.

Those left in the circus wear little or no makeup, no wigs, no shoes... none of the exaggerated costuming that once set us apart from the audience and helped create wild imaginative characters that could be seen and identified anywhere in the tent or arena.

Too many clowns now strive to be "cool" (which is the antithesis of clowning) instead of being what they should be: clowns.


This picture depresses me. Not only is one of the people (possibly both of the people) in this photo gone, but so to is the concept behind what the image in this photo so beautifully represents.

CLOWN ALLEY: The Big Apple Circus, 1996

Video link courtesy of circopedia.org


Todd "Doc Pitchum" Robbins, Barry "Grandma" Lubin and Greg "Lucky" DeSanto ("Lucky" ?) in a soap gag from the Big Apple Circus' Medicine Show, 1996.

It was seeing this show, watching Lubin and DeSanto, that made me leave standup comedy and finally apply to Clown College. The screams that they got during a school show matinee in Lincoln Center with this gag were absolutely deafening!

Behold, the power of soap... 


(and check out the sweet toothpick at about 4 minutes, 15 seconds in!)


Wednesday, November 05, 2008

BARRY LUBIN: From Circopedia

Link courtesy of Don Covington


Barry "Grandma" Lubin, interviewed by Dominique Jando for the Big Apple Circus' latest project CIRCOPEDIA.

SAM DRUMMOND: With Nixon, November 26, 1982


"Former President Richard Nixon shares a laugh with Sam Drummond, a clown from the Ringling Brothers and Barnum and Bailey Circus, at the Brendan Byrne Arena on Nov. 26, 1982 in East Rutherford, New Jersey. Nixon was at the circus with his grandchildren. "

Anyone out there know how Sam is doing?



CHARLIE CAIROLI: With Andre Baldet

"Clown Charlie Cairoli from the Blackpool Tower circus and his donkey wishes Andre Baldet of Northampton good luck for his 48 hour drive to Paris and back in a Trojan Lambretta bubble car."

THE THREE LARCONIONS

Photo courtesy of Bill Strong


This was a comedy acrobatic act, the picture is from the Zuhra Temple Shrine Circus program, Minneapolis, 1928.



LOU JACOBS: With Red Floyd


Lou Jacobs with Merle Evans' drummer Red Floyd.

DUO KALACHEV



NOVEMBER 4, 2008