Monday, March 01, 2010

TIBOR SALLAI: Note for Note, Beat for Beat


"Lucy, you have some 'splainin' to do..."

I'm going to give Tibor the benefit of the doubt and describe this as a extremely "loving tribute" but if I'd known that tribute acts made it into international circus festivals I'd have grabbed some pie plates and gone years ago.

Sunday, February 28, 2010

JONAH LOGAN: Pogo Stick



SYMPHONY OF SCIENCE: The Poetry of Reality



ABC-TV NY: Ringling Special

ABC-TV, Channel 7 in NY, did a 30 minute special on the new Ringling Blue Unit show last night, hosted by Bill Evans.

There was virtually NOTHING on the clowns.

I don't think that I have ever seen a television special on circus that so studiously avoided one of the very basic components of classical circus. I'm curious if the deletion was on the part of the circus or by choice of the television producers.

Either way, it's surprising to see Ringling clowning so obviously marginalized.

THE MOST REVOLUTIONARY DEVELOPMENT IN PHYSICAL/ VISUAL COMEDY IN THE LAST 700 YEARS!


This man is pure genius; a wizard, a true star!

When your grandkids are watching The Exploding Banana Face Show on The Exploding Banana Face Channel (on Steve Jobs IV's IMAX-ready HD iGlasses) you'll be able to say that you saw it here first.



Saturday, February 27, 2010

SHEMP HOWARD: Don't Ask, Don't Tell


I'm going to guess that Shemp was posing for a gag photo as Father Time... because any other explanation is worse. Much worse.

DAVID AND CHERIE GREGG: East Tennessee Children's Hospital (2/22/10)



Friends David and Cherie Gregg once again dispelling the old wives' tale that circus makeup and costumes can NEVER be used in a hospital setting. It depends completely and entirely on the individual performer, their skill set and their ability to adapt their performance to their audience.


VASILIY MOSELLE AND V. ROSHCHIN: Boxing Entree (1972)


With a guest appearance by Oleg Popov, from the film Carnival.

Friday, February 26, 2010

TAKING BLACK HISTORY OUT OF THE PEANUT GALLERY: By Sam Sanders

An interesting article that brings up many important points.

After re-reading it, I realized that it resonated with me for another, entirely different reason. If you remove the word "black" or "African-American" and replace it with the word "clown" it also pretty accurately sums up the frustration many of us feeling trying to gain a deeper understanding of American clowns and clowning, outside the deification of five or six Ringling performers from "The Golden Age of The Greatest Show on Earth"...


Taking Black History Out Of The Peanut Gallery


by Sam Sanders
February 26, 2010


At the beginning of February this year, I posted the following status on my Facebook page:

“Tomorrow begins Black History Month. I'm hoping not to end those 28 days armed with only a new set of Negro spiritual lyrics and a strange belief that I, too, can make anything out of peanuts.”


I was referring to George Washington Carver, one of so many Black pioneers whose face is perpetually plastered on cardboard cutouts in classrooms throughout the country every February.

I remember hearing the stories in grade school. George Washington Carver, the guy who invented a lot of things out of peanuts. Over 300, actually, with concoctions like peanut glue, peanut grease, peanut coffee and peanut meat tenderizer.

That was pretty much all that was said about him.

His story, and those of so many other Black historical figures, are done a disservice every February. That's why Black History Month annoys me — not just because it seems to be in no way focused on any kind of Black future, but because its historical coverage is one-dimensional, mawkish, and well, boring.

And at the end of this month, and the same old show, I'm still annoyed.

I want more than sainthood every February. I want complexity.

We need a better Black History Month, one that recounts the intricacies of the lives our ancestors lived, their human flaws, something that made them a little bit more — relatable. Or better yet, something that would help us believe we could aspire to their greatness. Because now, based on what I hear every February, the only way to make Black history is to be completely perfect — and rather uninteresting.

It would have been nice to have a discussion in my youth about how George Washington Carver’'s fervent belief in God ostracized him from many in the scientific community he became a leader in.

I would have loved to learn earlier that legendary Black soul singer Nina Simone wasn’t just an amazing voice, but was also someone who grappled with bipolar disorder for much of her life.

And I really would have liked someone to tell me that Martin Luther King Jr. got a D in French at Morehouse. Because I almost failed Spanish. Twice. In high school.

But the stories so many children hear February after February make Black folks of yesteryear nothing more than well-dressed, smiling, saintly caricatures.

I want more than that.

I want to know who was crazy. Who could never keep their mouth shut. I want to know who had the biggest ego, who made the funniest practical jokes. I want to know what gossip blogs would have speculated about Malcolm and Stokely and Bayard back in the day.

I want our Black History to be as intricate, and multi-faceted and many-splendored as our Black present. I want someone in my Black History to be extremely socially awkward, to spit when they talk every once in a while, to be too loud in public settings on occasion.

I want more than sainthood every February. I want complexity.

I think it’s doable. Revealing the multiplicity of our Black ancestors’ history won’t make us weaker as a race, or give some anonymous opponent something to exploit. Representing our truest past will only help make us our truest future selves.

Of course, I’m now too old to blame anyone for my incomplete knowledge of this Black History I long for. One can only point a finger at elementary school teachers for so long, if at all.

This heavy lifting is up to me, and “us,” whatever that “us” might be. And others already know this. In response to that Facebook status update, one of my friends, Paul, had the following to say:

“Make your own history, Sam!”

He was right. The best stories aren’t recited. They’re discovered.


MA & PA KETTLE: Another Math Gag



BALDER CLOWNS: Restaurant Entree



LES ROSSYANNS



Thursday, February 25, 2010

HAPPY COMMEDIA DELL' ARTE DAY!!!






Visit Adam Gertsacov's Flickr slideshow at...

http://www.flickr.com/photos/kafclown/sets/72157623503895410/show/

COLOMBAIONIS CLOWN SEMINAR: Odin Teatret (1968)

Video suggested by Jango Edwards



A working/training session led by the Italian clowns "The Colombaioni Brothers" with a group of Swedish actors, taken from a 20 minute black and white special produced by Swedish TV and directed by Marianne Ahrne.

ABBOTT & COSTELLO: 7 x 13 (with Shemp Howard)

Link suggested by Jeffrey Potts




THE GOLYSHEVIS: Bar Act



OLD SPICE: The Making of "The Man Your Man Could Smell Like"


Leo LaPorte interviews Craig Allen and Eric Kallman of Wieden & Kennedy to find out how Old Spice's "The Man Your Man Could Smell Like" was made.

Ringling would be REALLY smart to involve Jonathan Lee Iverson in some type of parody of this by the time the show hits New York.


Monday, February 22, 2010

WHY IS IT?

A schmaltzy jazz guitarist playing in a local restaurant on Thursday night doesn't detract from Django Reinhart.

The inept drunk singing karaoke in the hotel bar doesn't change how you feel about the Rolling Stones.

Your brother's video of his kids at Christmas doesn't make Jean-Luc Godard's Breathless any less of a film.

Your grandmother's paint-by-numbers lovingly framed in her back room doesn't diminish Edward Hopper's Nighthawks, Van Gogh's The Potato Eaters or Jacques-Louis David's The Death of Marat.


So why is it that when people see this...


...it means that all clowns are amateurish and incompetent?



LAUREL & HARDY: The Dark Knight



MARCO CAROLEI: 4th International Circus Festival of Budapest (2002)



WHO IS THIS...


...and why isn't anyone else doing it???

Thursday, February 18, 2010

Monday, February 15, 2010

HAPPY 100TH BIRTHDAY, CHARLIE CAIROLI!




Charlie Cairoli (15 February, 1910 - 17 February, 1980) was an Italian-born English clown, impressionist and musician.

Background and career

Born in Milan, Italy to a travelling circus family of French origin, he began his performing career at the age of seven. He met Violetta Fratellini, who was also from a circus family, in 1934 when they were both working at the Cirque Medrano at Montmartre: he was with his father in a clown act, and she was in a knockabout acrobatic act, "The Tomboys Girls". While she watched him perform he spotted her, and serenaded her on his clarinet. By Christmas that same year they were married.

In early 1939 the Cairolis appeared at the Circus Krone in Munich, in a special performance attended by Adolf Hitler, who afterward presented Cairoli with a watch. In September, when World War II broke out, Cairoli was performing at the Blackpool Tower Circus for the first time; in response to the news of war, he walked to the end of North Pier in Blackpool and threw the watch into the Irish Sea. He chose to stay in the town, where he lived for the rest of his life.

In 1943 he appeared in Happidrome a film based on the radio series of the same name. In 1952 he appeared in the crime drama film, The Secret People. On 11 and 25 November 1962 he performed his clown act on the American television variety show, The Ed Sullivan Show on CBS. On 1 January 1966 he appeared on David Nixon's Comedy Bandbox. He also appeared on the American television variety show on ABC The Hollywood Palace twice in 1966, first on 8 January, performing as Charles Cairoli and Company then on 7 May when he was introduced as a "British Comic Pantomimist".

Cairoli was distinguished in his act by wearing a red nose and a Charlie Chaplin-style bowler hat, eyebrows, and costume, and a moustache slightly larger than Chaplin's. He rose to prominence in the United Kingdom in the 1970s owing to his frequent television appearances, not least on his long-running children's show Right Charlie!. He was possibly the best-known clown on British television at one time, and had a career that spanned well over forty years. He was the only clown to have been the subject of This is Your Life, where on 25 February 1970, he was introduced as the "king of clowns".

He performed at Blackpool Tower Circus every summer season for forty years, a world record for the most performances at a single venue. Out of season he also performed on stage in variety shows and pantomime, including the Grand Theatre in Leeds and Alhambra in Bradford. His appearance in Jack and the Beanstalk in 1972 was the most successful pantomime at Leeds City Varieties and later that year he brought Christmas shopping to a standstill as he led hundreds of youngsters through the streets of Leeds and herded them to the City Varieties where he gave a special show to 600 invited children.

In June 1979, ill health forced his withdrawal from the Tower Circus ring and he was admitted to hospital suffering from exhaustion. He finally announced his retirement in November of that year; he was 69.

Awards

In February 2000 in Blackpool, Cairoli was awarded a posthumous Lifetime Achievement award from the World's Fair circus newspaper. It was presented to his widow Violetta by ventriloquist Keith Harris, in the presence of the television personality Jeremy Beadle.

Personal life

Cairoli had three children with his wife, Violetta. He died peacefully in his sleep at his home, 129 Warley Road, North Shore, Blackpool, on 17 February, 1980. Five days later he was cremated at Carleton Crematorium in Poulton-le-Fylde, where he is commemorated at rose bed 64.

His son, Charlie Cairoli Junior, adapted the role his father had made famous, although performing more cabaret and pantomime rather than in the circus. Violetta died in Blackpool on 16 November, 2002.

Cultural legacy

Charlie Cairoli's name entered popular usage as a reference for clowns in general. The 2004 Chumbawamba song Just Desserts (about pieing) explicitly compares Cairoli's clown behaviour to the anarchist viewpoints espoused by Peter Kropotkin. Similarly, when Garry Bushell criticised The Verdict, he said that "to call it Clown Court would be an insult to Charlie Cairoli".

Welsh pop group The Hepburns recorded a song entitled, "Charlie Cairoli's Ghost".

In July 2008, Blackpool Council cabinet member, Tony Williams called for the erection of a statue of Cairoli in the resort, saying, "I have always wanted a statue of Charlie Cairoli in the town; after all he was the most famous clown in the world and brought more visitors to the town than any other single entertainer. Charlie has never been truly recognised for his massive contribution to Blackpool and we should honour our local heroes."






VORONIN


Voronin is the gentleman in the tuxedo. Does anyone know the name of his partner in this clip?

NYC "CLOWN HANG: THIS THURSDAY!


ATTENTION ALL NY AREA CLOWNS!!! A NYC "Clown Hang", THIS THURSDAY 6:30 PM-10:00PM at Manitoba's 99 Avenue B New York, NY 10009-6210.

Click the title of this post for directions.

LENNY SCHULTZ



Saturday, February 13, 2010

FELIX ADLER'S COSTUME: On it's way to the ICHOF



I just received one of Felix Adler's original costumes from the personal collection of Ron Severini.

The costume is on it's way to Mary Derosier for restoration and then on to Baraboo,WI to join the collection of the International Clown Hall of Fame and Research Center

This marks the first of several very important new acquisitions for the ICHOF in addition to several startling discoveries among the existing collection.





ANDREY ROMANOVSKI



KOHL & CO: Patrick Sebastian Show, Paris (2008)

Link courtesy of Mike Naughton



OTTO GRIEBLING: Classic Comic Book Ad


Friday, February 12, 2010

THE INTERNATIONAL CLOWN HALL OF FAME AND RESEARCH CENTER: The Newest Board Members...



Just a brief note, for those without Facebook, to proudly announce that I have been offered, and has very happily accepted, a position on the Board of Directors of the newly revitalized International Clown Hall of Fame and Research Center in Baraboo, WI.
Also joining the board, a wonderful local grant writer of considerable skill and talent, Ms. Shelly Mordini.

It's a great honor to participate in the ICHOF at this time, I don't think the Hall has ever been in a stronger position, with a clearer vision or a brighter future.


CARDEN SHRINE CIRCUS





BORIS



BILL IRWIN & MICHAEL CERVERIS: Storytelling and the Body & The Art of the Audition


During The New School for Dramas three-week Summer Music Theater Immersion Experience, some of Broadways biggest stars lead master classes and impart their experience and knowledge to aspiring musical theater performers.

Here, award-winning actor and clown Bill Irwin (Fool Moon, Who's Afraid of Virginia Woolf?) shows how to relate story and character through movement. Michael Cerveris (Tony Award winner for Assassins and Tony nominee for Sweeney Todd) works one-on-one with two students on performances of I Could Have Danced All Night and Dear World. Other artists who have given master classes include Wayne Cilento, Judy Kuhn, Donna McKechnie, Denis O'Hare, Michele Pawk, and Christopher Sieber.

Thursday, February 11, 2010

OTTO GRIEBLING: Father of "Circus Fitness"



Otto Griebling, (April 28, 1896 – April 19, 1972) was a German-born immigrant who rose to become the most respected American circus clown of the 20th century as well as the developer of a bodybuilding method and its associated exercise program that was best known for a landmark advertising campaign featuring Griebling's name and likeness; it has been described as one of the longest-lasting and most memorable ad campaigns of all time. Griebling performed for many years with the Cole Bros. and later the Ringling Bros. and Barnum & Bailey circus. He was one of four clowns given the title Master Clown by Irvin Feld.

According to Griebling, he trained himself to develop his body from that of a "scrawny weakling", eventually becoming the most influential character clowns of his day. His company, Otto Griebling Ltd., was founded in 1929 and, as of 2009, continues to market a fitness program for the "97-pound weakling." The company is now overseen by the International Clown Hall of Fame and Research Center in Baraboo, WI.

History

Born in Koblenz, Germany, Griebling was introduced at a young age to the circus business, as well as ballet and opera. Following the death of his father, his mother emigrated to the United States ahead of her children. His older brother Emil (b. 1894) worked his way overseas on a boat, eventually working on Wall Street. Young Otto worked his way to the United States by boat in 1911.

Griebling worked hard to develop his physique; he tried many forms of exercise initially, using weights, pulley-style resistance, and gymnastic-style calisthenics. Griebling claimed they did not build his body, but it is unlikely that his body would not have responded to external resistance. Griebling was inspired by other fitness and health advocates who preceded him; world-renowned circus strongman Eugene Sandow and Bernarr MacFadden (creator of "Physical Culture") both set the stage for Griebling.

As a youth, according to the story he always told, Griebling had a classical European whiteface clown kick sand into his face in the course of a day he spent at a beach; at this time in his life, also according to the story, he weighed only 97 pounds. Humiliated, the young Griebling joined the YMCA and began to do numerous exercise routines, becoming obsessed with strength. And circus comedy.

According to several stories/claims while at the bakery watching a pieman lifting heavy pie plates, he thought to himself, "Does this old gentleman have any barbells, any exercisers?...And it came over me....He's been pitting one muscle against another!" He concluded that bakers became strong by pitting muscle against muscle by lifting and hefting heavy pie plates.

Using his new found juggling strength, Griebling studied under and worked with Albert Joseph Henry Hodgini, Sr.'s circus horseback riding act in Baraboo, Wisconsin for several years, performing as comedian in Hodgini's act in the Sells Floto Circus and other circuses.

In 1921, Bernarr MacFadden, publisher of the magazine Physical Culture, dubbed Griebling "The World's Most Perfectly Developed Clown" in a contest held during the Ringling Bros. and Barnum & Bailey Circus' appearance in Madison Square Garden. He soon also took on the role of comedy strongman in the circus' Side Show.

In 1922, the now-26-year-old met Dr. Frederick Tilney, a British homeopathic physician and course writer who was employed as publisher Bernarr MacFadden's "ideas man." Griebling and Tilney met through MacFadden, who was using Griebling as a model for a short movie entitled "The Road to Circus Fit." Griebling wrote a fitness course and then asked Tilney to edit the course. Tilney agreed and Griebling went into business in 1922. Tilney himself had an extensive background in weight training.

Clownamic Tension

Griebling's "Clownamic Tension" program consists of twelve lessons and one final perpetual lesson involving the juggling of weighted pie plates (or "Pie-lates"). Each lesson is supplemented with photos of Griebling demonstrating the exercises before an arena packed with "children of all ages". Griebling's lesson booklets added commentary that referred to the readers as his friends and gave them an open invitation to write him letters to update him on their progress and stories. His products and lessons have sold millions, and Griebling became the face of circus fitness.

Likenesses

Besides photographs, Griebling posed for many statues throughout his life, including the statue of George Washington in New York's Washington Square Park, Dawn of Glory in Brooklyn's Prospect Park, and Jackie Gleason's Ralph Kramden statue in front of the Port Authority building on New York's 42nd street. Griebling was also an inspiration and a model for later bodybuilders and fitness gurus, including Arnold Schwarzenegger.

Death

Otto Griebling died on April 19, 1972 from a stroke following a brief illness for which he was hospitalized at Saint Clare's Hospital in New York City. He was buried at Sarasota Memorial Park in Sarasota, Florida.

The print advertisements

The famous Otto Griebling print advertisements became iconic mostly because they were printed in so many comic books from the 1940s until today. The typical scenario presented a skinny young character clown (usually accompanied by a female companion) being threatened by a classical European whiteface clown. The whiteface pushes down the "97-pound weakling" and the girlfriend joins in the derision. The young clown goes home, gets angry (usually demonstrated by his kicking a chair), and sends away for the free Griebling book. Shortly thereafter, the newly muscled clown returns to the place of his original victimization, seeks out the whiteface, and beats him up. He is rewarded with sexual favors under the boardwalk by his girlfriend to the admiration of onlookers.

The ad was said to be based on an experience the real Griebling had as a boy. With variations, it was a mainstay of comic books, circus programs and boys' magazines for decades. The ads usually conclude with the words "As is true of all the exercises in Griebling's course, you can do these exercises almost anywhere as long as you can juggle four heavy pie plates."

The comics have been found recently on Marvel's and DC's websites and can be found in various other places on the Web today.


Pat

I believe you failed to mention the lawsuit between the Griebling Estate and Ringling Bros.(Feld Entertainment) over their improper use of the "CircusFit" program. According to a clause in Otto's will no whiteface clowns were permitted to present HIS fitness material at any time (of which CircusFit is based on). Lawyers for the Feld's have stated that this implied "Classic European" Whiteface, not the "Comedy" Whiteface that has been currently embraced by the modern circus. The suit is still pending.

- Jeffrey "Bungles" Potts



ZIPPY THE PINHEAD: The "Angry Clown" Cliche

To reiterate, Bill Griffith saw this as been "done to death" by 1997!!!

If only the "angry clown" actually HAD been retired by then...


LES ROSSI AND...


The whiteface in the center is Yann Rossi of Les Rossyann at the recent Monte Carlo Circus Festival. Would someone be good enough to confirm the identities of the other two gentlemen for me?

PITILLO CUBILETES: Circus Tihany (2009)



ALEX & MASHA



FRASER HOOPER: Circo Massimo



Tuesday, February 09, 2010

CNN REPORT: Dream Doctors Hospital Clowning in Israel

Link courtesy of Becky Cortino



PIERRE ETAIX: Something


Can someone with a stronger grasp of French please click the title of this post and explain to me what is going on? I've run the page through the Babelfish translation software and it comes back with text that is largely intelligible.

I think they are saying that there are upcoming live performances and a screening of Yoyo.


Friday, February 05, 2010

JACK BENNY STATUE: Rancho Cucamonga, CA

One of the catch-phrases of the radio show "The Jack Benny Program" involved a train announcer (Mel Blanc) who said over the loudspeaker, "Train now leaving on track five for Anaheim, Azusa, and Cuc... amonga," taking progressively longer pauses between "Cuc" and "amonga."

Part of the joke, for the Los Angeles audience, was that no such train route existed, although all three cities (or at the time, towns) do exist.

As a tribute to this 'publicity', the city of Rancho Cucamonga built its minor-league baseball stadium on a street they named Jack Benny Way, and erected a bronze statue of the TV host outside of the building's entrance.

The Jack Benny statue has since moved to the Victoria Gardens Cultural Center. (Coincidentally, Jack Benny Way intersects with Rochester Avenue, which is not named for the character portrayed by Eddie Anderson on "The Jack Benny Program", but was named in 1889 after the hometown of three investors, all of whom were brothers from Rochester, New York).

FUMAGALLI: Conducting



Thursday, February 04, 2010

DAVID LARIBLE: Tour Dates

Courtesy of Giovanni Lagorio and Lee Andrews




GENE SHELDON: Hollywood Palace

Link courtesy of Beth Grimes via Tommy Moore


There is a lot of great stuff in this clip of Rowan & Martin hosting the Hollywood Palace but the most important, for our purposes here, in Mr. Gene Sheldon, who starts at about the 6:00 mark.


MARCO CAROLEI: Korea (2007)



Wednesday, February 03, 2010

LINSEY POLLACK: Carrot Clarinet

From Jeffrey Potts


Linsey Pollak drills out a carrot and turns it into a clarinet and plays it, live looping with a Boss RC20 to record 3 layers....from his solo show "Making Jam"

TOBY "CIRCUS" BALLANTINE & MARK STOLZENBERG: New York City (undated)

I had another great phone conversation with Toby this morning where he dropped quite a bombshell. He told me that he had been taught the art of wire and silk prop construction by Prof. Paul Wenzel... I'm going to let that sink in for a minute. The "lost art" of wire and silk prop construction isn't lost!

Toby... we need to talk more!





THE LAVRACCIS



BILL IRWIN: Teaching at the University of South Florida



Tuesday, February 02, 2010

STAN BULT: International Circus Clown Club Eggs

Article courtesy of Mark Newgarden

Please click the title of this post to link to an April 1957 Modern Mechanix article about Stan Bult and his hobby of painting circus clowns' makeups on eggs for the International Circus Clown Club.



DAVID LARIBLE: Theater Tour?

Anyone have any information on Mr. Larible's current theater tour?


PAOLO CASANOVA



COLORS SHOW



Monday, February 01, 2010

CHAZ CHASE: At the Movies


A still from Public Jitterbug No. 1 (1939)



A clip from Tod Browning's West of Zanzibar (1928). Look for Chaz at about 3:20 in.

OTTO GRIEBLING: Undated Press Photo

LAUREL & HARDY: Silent Clowns















COMMENTS

I had to turn on the "captcha" filter for a week in an effort to cut down the number of robo-spam messages that we've been receiving. Each new post was generating about 100 spam messages each and it was getting tiring having to go through and delete them all.

I apologize for any inconvenience. Hopefully, things will be better now.


Sunday, January 31, 2010

INTERNATIONAL CLOWN HALL OF FAME: Jango Edwards' $1 Million Dollar Challenge!!!

Jango Edwards called today from Barcelona to make the following offer: If the International Clown Hall of Fame can raise $1 million U.S. dollars in donations by Friday December 31st, 2010 he will MATCH it with one million dollars of his own money... that's right, one million dollars out of his own pocket!!!

Please help us to reach our goal by clicking the PayPal button to the right...

AND SPREAD THE WORD!!!


HAROLD LLOYD: Silent Clowns