Monday, August 24, 2009

SPIKE MILLIGAN: Kilt Chimes




SPIKE MILLIGAN

Terence Alan Patrick Seán Milligan KBE (16 April 1918 – 27 February 2002), known as Spike Milligan, was an Anglo-Irish comedian, writer, musician, poet and playwright. Milligan was the co-creator and the principal writer of The Goon Show, in which he also performed. Aside from comedy, Milligan played the trumpet, saxophone, piano, guitar and bass drum.

Early life

Milligan was born in Ahmednagar, India, on 16 April 1918, the son of an Irish-born father, Captain Leo Alphonso Milligan, MSM, RA, who was serving in the British Indian Army. His mother, Florence Mary Winifred Kettleband, was born in England. He spent his childhood in Poona (India) and later in Rangoon (Yangon), capital of Burma (Myanmar). He was educated at the Convent of Jesus and Mary, Poona, and St Paul's Christian Brothers, de la Salle, Rangoon.

He lived most of his life in England and served in the British Army, in the Royal Artillery during World War II.

Second World War

During most of the late 1930s and early 1940s Milligan performed as an amateur jazz vocalist and trumpeter before, during and after being called up for military service in the fight against Nazi Germany, but even then he wrote and performed comedy sketches as part of concerts to entertain troops. After his call-up, but before being sent abroad, he and fellow musician Harry Edgington (nicknamed Edge-ying-Tong which gave birth to one of Milligan's most memorable musical creations, and continued with The Goon Show the Ying Tong Song) would compose surreal stories, filled with puns and skewed logic, as a way of staving off the boredom of life in barracks.

During World War II he served as a signaller in the 56th Heavy Regiment Royal Artillery, D Battery, as Gunner Milligan, 954024 with the First Army in the North African campaign and then in the succeeding Italian campaign. He rose to the rank of Lance Bombardier and was about to be promoted to Bombardier when he was wounded in action in Italy. Subsequently hospitalised for a mortar wound to the right leg and shell shock, he was demoted by an unsympathetic commanding officer (identified in his war diaries as Major Evan 'Jumbo' Jenkins) back to Gunner. It was Milligan's opinion that Major Jenkins did not like him due to the fact that Milligan constantly kept the morale of his fellow soldiers up, whereas Major Jenkins' approach was to take an attitude towards the troops similar to that of Lord Kitchener. An incident also mentioned was when Major Jenkins had invited Gunners Milligan and Edgington to his bivouac to play some jazz with him, only to discover that the musicianship of the aforementioned gunners was far superior to his own ability to play the military tune 'Whistling Rufus' (badly).

After his hospitalisation, Milligan drifted through a number of rear-echelon military jobs in Italy, eventually becoming a full-time entertainer. He played the guitar with a jazz and comedy group called The Bill Hall Trio in concert parties for the troops. After being demobilised, Milligan remained in Italy playing with the Trio but returned to England soon after. While he was with the Central Pool of Artists (a group he described as composed "of bomb-happy squaddies") he began to write parodies of their mainstream plays, that displayed many of the key elements of what would later become The Goon Show (originally called Crazy People) with Peter Sellers, Harry Secombe and Michael Bentine.

Radio

Milligan returned to jazz in the late 1940s and made a precarious living with the Hall trio and other musical comedy acts. He was also trying to break into the world of radio, as either a performer or as a script writer. His first success in radio was as writer for comedian Derek Roy's show. Milligan soon became involved with a relatively radical comedy project, The Goon Show. Known during its first season as Crazy People, or in full, "The Junior Crazy Gang featuring those Crazy People, the Goons!", the name was an attempt to make the programme palatable to BBC officials by connecting it with the popular group of comedians known as The Crazy Gang.

Milligan was the primary author of The Goon Show scripts (though many were written jointly with Larry Stephens, Eric Sykes and others) as well as a star performer. Although it elevated him to international stardom, Milligan's work on The Goons took a heavy toll -- and he sufffered a major breakdown in late 1951 (just after the start of Series 3), spent two months in hospital recuperating and later blamed the pressure of writing and performing The Goon Show for both his breakdown and the failure of his first marriage.

Television

Milligan made several forays into television as a writer-performer, in addition to his many guest appearances on interview, variety and sketch comedy series from the 1950s to the 2000s.

The Idiot Weekly, Price 2d (1954) starring Peter Sellers was the first attempt to translate Goon humour to TV; it was followed by A Show Called Fred and Son of Fred, both made during 1956 and directed by Richard Lester, who went on to work with The Beatles.

The 15-minute series The Telegoons (1963) was the next attempt to transplant The Goons to television, this time using puppet versions of the familiar characters. The initial intention was to 'visualise' original recordings of 1950s Goon Show episodes, but this proved difficult to achieve in practice due to the rapid-fire dialogue and was ultimately frustrated by the BBC's refusal to allow the original audio to be used. 15-minute adaptations of the original scripts by Maurice Wiltshire were used instead, with Milligan, Sellers and Seacombe reuniting to provide the voices; according to a contemporary press report, they received the highest fees the BBC had ever paid for 15-minute shows. Two series were made in 1963 and 1964 and (presumably because it was shot on 35mm film rather than video) the entire series has reportedly been preserved in the BBC archives.

Milligan's next major TV venture was the sketch comedy series The World of Beachcomber (BBC, 1968) but unfortunately the master tapes were later wiped by the BBC and it is thought that all 19 episodes are now lost (although the show was sold to other countries and it is possible that some episodes or fragments may still exist in the archives of these broadcasters). In 1961 Milligan co-wrote two episodes of the popular sitcom Sykes and A..., co-starring Eric Sykes and Hattie Jacques.

In 1968 the three Goons reunited for a televised re-staging of a vintage Goon Show for Thames Television, with John Cleese substituting for the late Wallace Greenslade, but the pilot was not successful and no further programs were made.

In early 1969 Milligan starred in the ill-fated situation comedy Curry & Chips, created and written by Johnny Speight and featuring Milligan's old friend and colleague Eric Sykes. Curry & Chips set out to satirize racist attitudes in Britain in a similar vein to Speight's earlier creation, the hugely successful Till Death Us Do Part, with Milligan 'blacking up' to play Kevin O'Grady, a half-Pakistani/half-Irish factory worker. The series generated numerous complaints because of its frequent use of racist epithets and 'bad language' -- one viewer reportedly complained of counting 59 uses of the word "bloody" in one episode -- and it was cancelled on the orders of the Independent Broadcasting Authority after only six episodes.

Later that year, Milligan was commissioned by the BBC to write and star in Q5, the first in the innovative "Q" series, acknowledged as an important precursor to Monty Python's Flying Circus, which premiered several months later. However there was a hiatus of several years before the BBC commissioned Q6 in 1975. Q7 appeared in 1977, Kuwait (Q8) in 1978, Q9 in 1980 and There's a Lot of It About in 1982. Milligan later complained of the BBC's cold attitude towards the series and stated that he would have made more programs had he been given the opportunity. A number of episodes of the earlier "Q" series are now missing, presumed wiped.

Ad-libbing

Milligan had a number of acting parts in theatre, film and television series; one of his last screen appearances was in the BBC dramatisation of Mervyn Peake's Gormenghast, and he was (almost inevitably) noted as an ad-libber. One of Milligan's most famous ad-lib incidents occurred during a visit to Australia in the late 1960s. He was interviewed live on air and remained in the studio for the news broadcast that followed (read by Rod McNeil), during which Milligan constantly interjected, adding his own name to news items. As a result, he was banned from making any further live appearances on the ABC. The ABC also changed its national policy so that talent had to leave the studio after interviews were complete. A tape of the bulletin survives and has been included in an ABC Radio audio compilation, also on the BBC tribute CD, Vivat Milligna.

Poetry

Milligan also wrote verse, considered to be within the genre of literary nonsense. His poetry has been described by comedian Stephen Fry as "absolutely immortal - greatly in the tradition of Lear". His most famous poem, On the Ning Nang Nong, was voted the UK's favourite comic poem in 1998 in a nationwide poll, ahead of other nonsense poets including Lewis Carroll and Edward Lear. This nonsense verse, set to music, became a favourite Australia-wide, performed week after week by the ABC children's programme Playschool. Milligan included it on his album No One's Gonna Change Our World in 1969 to aid the World Wildlife Fund. In December 2007 it was reported that, according to OFSTED, it is amongst the ten most commonly taught poems in primary schools in the UK.

While depressed, Milligan wrote serious poetry. He also wrote a novel Puckoon, parodying the style of Dylan Thomas, and a very successful series of war memoirs, including Adolf Hitler: My Part in His Downfall (1971), "Rommel?", "Gunner Who?": A Confrontation in the Desert (1974), Monty: His Part in My Victory (1976) and Mussolini: His Part in My Downfall (1978). Milligan's seven volumes of memoirs cover the years from 1939 to 1950 (his call-up, war service, first breakdown, time spent entertaining in Italy, and return to the UK).

He wrote comedy songs, including "Purple Aeroplane", which was a parody of The Beatles' song "Yellow Submarine". Glimpses of his bouts with depression, which led to the nervous breakdowns, can be found in his serious poetry, which is compiled in Open Heart University.

Plays

Spike Milligan also co-wrote the one-act play The Bed-Sitting Room, with John Antrobus. It premiered at the Marlowe Theatre, Canterbury. It was adapted to a longer play, which made its debut at the Mermaid Theatre, London.

Cartoons

Milligan contributed occasional cartoons to the satirical magazine Private Eye. Most were visualizations of one-line jokes. For example, a young boy sees the Concorde and asks his father "What's that?". The reply is "That's a flying groundnut scheme, son."

Advertising

In 1967, applying a satirical angle to a contemporary fashion for the inclusion of “superman” inspired characters in UK television commercials, Milligan dressed up in a “Bat-Goons” outfit to head up a series of television commercials for British Petroleum. A contemporary reporter found the TV commercials “funny and effective”.

Australia

After their retirement, Milligan's parents and his younger brother Desmond moved to Australia. His mother lived the rest of her long life in the coastal village of Woy Woy on the New South Wales Central Coast, just north of Sydney. As a result, Milligan became a regular visitor to Australia and made a number of radio and TV programmes there, including The Idiot Weekly with Bobby Limb. He also wrote several books including Puckoon during a visit to his mother's house in Woy Woy. In July 2007, it was proposed that the suspension bridge on the cyclepath from Woy Woy to Gosford be named after him.

Health

He suffered from severe bipolar disorder for most of his life, having at least ten major mental breakdowns, several lasting over a year. He spoke candidly about his condition and its effect on his life:

I have got so low that I have asked to be hospitalised and for deep narcosis (sleep). I cannot stand being awake. The pain is too much... Something has happened to me, this vital spark has stopped burning - I go to a dinner table now and I don't say a word, just sit there like a dodo. Normally I am the centre of attention, keep the conversation going - so that is depressing in itself. It's like another person taking over, very strange. The most important thing I say is 'good evening' and then I go quiet.

Prince of Wales

The Prince of Wales was a noted fan, and Milligan caused a stir by calling him a "little grovelling bastard" on live television in 1994. He later faxed the prince, saying "I suppose a knighthood is out of the question?" In reality he and the Prince were very close friends, and he was finally made a Knight Commander of the British Empire (KBE) (honorary because of his Irish citizenship) in 2000. He had been made an Honorary Commander of the Order of the British Empire (CBE) in 1992.

Campaigning

He was a strident campaigner on environmental matters, particularly arguing against unnecessary noise, such as the use of muzak.

In 1971, Milligan caused controversy by attacking an art exhibition at the Hayward Gallery with a hammer. The exhibit consisted of catfish, oysters and shrimp that were to be electrocuted as part of the exhibition. He was a strong opponent of cruelty against animals and, during an appearance on Room 101, chose fox hunting as a pet hate, and succeeded in banishing it to the eponymous room.

In 1996, he successfully campaigned for the restoration of London's Elfin Oak.

He was also a public opponent of domestic violence, dedicating one of his books to Erin Pizzey.
The grave of Spike Milligan in the grounds of St Thomas, Winchelsea, East Sussex. The epitaph reads "Duirt mé leat go raibh mé breoite", Irish for "I told you I was ill."

Family

Milligan had three children with his first wife June (Marchinie) Marlow: Laura, Seán and Síle. They were married in 1952 and divorced in 1960. He had one daughter with his second wife, Patricia Ridgeway (known as Paddy): the actress Jane Milligan (b. 1964). Milligan and Patricia were married in June 1962 with George Martin as best man. The marriage ended in 1978 with her death. In 1975 Milligan fathered a son, James, in an affair with Margaret Maughan. Another child, a daughter Romany, is suspected to have been born at the same time by a Canadian journalist named Roberta Watt. His last wife was Shelagh Sinclair, to whom he was married from 1983 to his death on 27 February 2002. Four of his children have recently collaborated with documentary makers on a new multi-platform programme called I Told You I Was Ill: The Life and Legacy of Spike Milligan (2005) and accompanying website.

In October 2008 an array of Milligan's personal effects were to be sold at auction by his third wife, Shelagh, who was moving into a smaller home. These included a grand piano salvaged from a demolition and apparently played every morning by Paul McCartney, a neighbour in Rye in East Sussex.

Death

Even late in life, Milligan's black humour had not deserted him. After the death of friend Harry Secombe from cancer, he said, "I'm glad he died before me, because I didn't want him to sing at my funeral." A recording of Secombe singing was played at Milligan's memorial service. He also wrote his own obituary, in which he stated repeatedly that he "wrote the Goon show and died".

Milligan died from liver disease, at the age of 83, on 27 February 2002, at his home in Rye, East Sussex. On the day of his funeral, 8 March 2002, his coffin was carried to St Thomas's Church in Winchelsea, Sussex, and was draped in the flag of the Republic of Ireland. He had once quipped that he wanted his headstone to bear the words "I told you I was ill." He was buried at St Thomas's Church cemetery in Winchelsea, East Sussex, but the Chichester Diocese refused to allow this epitaph. A compromise was reached with the Irish translation, "Dúirt mé leat go raibh mé breoite", and additionally in English, "Love, light, peace".

Legacy

The Holden Road plaque

From the 1960s onwards Milligan was a regular correspondent with Robert Graves. Milligan's letters to Graves usually addressed a question to do with classical studies. The letters form part of Graves' bequest to St. John's College, Oxford.

The film of Puckoon, starring Sean Hughes and including Milligan's daughter, the actress Jane Milligan, was released after his death.

Milligan lived for several years in Holden Road, Woodside Park and at The Crescent, Barnet, and was a strong supporter of the Finchley Society. His old house in Woodside Park is now demolished, but there is a blue plaque in his memory on the new house on the site. The Finchley Society is trying to get a statue of him erected in Finchley. There is also a campaign to erect a statue in the London Borough of Lewisham where he grew up (see Honor Oak). After coming to the UK from India in the 1930s he lived at 50 Riseldine Road, Brockley and attended Brownhill Boys' school (later to become Catford Boys' School which was demolished in 1994). Lynsey De Paul is a patron of the Spike Milligan Statue Memorial Fund. There is a plaque and bench located at the Wadestown Library, Wellington New Zealand in an area called Spike Milligan corner.

In a BBC poll in August 1999, Spike Milligan was voted the "funniest person of the last 1000 years". Also, in a 2005 poll to find The Comedians' Comedian, he was voted among the top 50 comedy acts ever by fellow comedians and comedy insiders.

Milligan has been portrayed twice in films. In the adaptation of his novel Adolf Hitler: My Part in His Downfall, he was played by Jim Dale, while Milligan himself played his own father. He was also portrayed by Edward Tudor-Pole in The Life and Death of Peter Sellers (2004). In a 2008 stage play, Surviving Spike, Milligan was played by the entertainer Michael Barrymore.

On 9 June 2006 it was reported that Professor Richard Wiseman had identified Milligan as the writer of the world's funniest joke as decided by the Laughlab project. Professor Wiseman said the joke contained all three elements of what makes a good gag: anxiety, a feeling of superiority, and an element of surprise.

Members of Monty Python greatly admired him, and gave Milligan a cameo role in their 1979 film, Monty Python's Life of Brian, when Milligan happened to be holidaying in Tunisia, near where the Pythons were filming. Graham Chapman gave him a minor part in Yellowbeard.





Thursday, August 20, 2009

ART METRANO





ART METRANO
From Wikipedia...

Arthur "Art" Metrano (born September 22, 1936) is an American actor and comedian of Greek-Turkish-Jewish-Sephardic ancestry. He was born in Brooklyn, New York. Metrano may be best known for his role as Capt. Mauser in Police Academy 2 and Police Academy 3. He left the series due to a fall at home that seriously injured his spinal cord and left him disabled.

Among Metrano's TV guest appearances was a 1968 episode of Ironside. However, he is more known for his frequent appearances on The Tonight Show in the early 1970s as a "magician" performing absurd tricks (such as making his fingers "jump" from one hand to another) while constantly humming an inane theme song (named "Fine and Dandy", an early 1930s composition by Kay Swift). This bit was parodied in an episode of the cartoon show Family Guy entitled Stewie Griffin: The Untold Story. In December 2007, Metrano filed a lawsuit accusing the show of copyright infringement, and claiming damages in excess of two million US dollars.[1]

Currently, he tours with his one-man show, "Jews Don't Belong On Ladders...An Accidental Comedy", which has raised more than $175,000 for Project Support for Spinal Cord Injury to help buy crutches, wheelchairs, and supplies.



Monday, August 17, 2009

LUPINO LANE: Fandango (1928)





Lupino Lane

From Wikipedia...


Henry William George Lupino or Lupino Lane (June 16, 1892 London – November 10, 1959 London) was a British-born actor and theatre manager from the Lupino family. Lane appeared in a wide range of theatrical and film performances but he is best known for playing Bill Snibson in the play and film Me and My Girl which popularised the Lambeth walk.

Theatrical family

He was born Henry William George Lupino into a theatrical family that often claimed that they could trace their roots back to an Italian immigrant in the 17th century. He adopted the surname Lane from his great-aunt Sarah Lane (1822-1899, née Borrow), the director of the Britannia Theatre, Hoxton. Lane married actress Violet Blythe on 10 February 1917, and their son was also an actor, Lauri Lupino Lane (1921–1986). His brother, Wallace Lupino (1898–1961) was an actor, as was Wallace's son, Richard.

Henry and Wallace Lupino's niece, Ida Lupino, the daughter of actors Stanley Lupino (1893–1942) and Connie Emerald (1892–1959), was the most famous member of this acting family.

Early career

Harry Lupino and Lupino Lane, in Jack and Jill, 1907-8 at The Prince's Theatre, Bristol

Lupino Lane made his first stage appearance at the age of four in a benefit in Birmingham for Vesta Tilley. His London début was made in 1903 as Nipper Lane at the London Pavilion.

He worked hard as a performer steadily making his way towards the top of the bill. In 1915, he appeared at the Empire Theatre and played comic roles in theatre and film on both sides of the Atlantic from then on. Lane and Blythe were both in the Broadway musical Afgar, at the Central Theatre, in 1921, and then Lane appeared in the Ziegfeld Follies of 1924 at the New Amsterdam Theatre, from June 1924 to March 1925, and subsequently played Ko-Ko in The Mikado on Broadway in 1925 and received good reviews.

Lane appeared regularly in both British and US silent films. His film career started in 1915 in a series of British short films. As a comedy actor, he appeared in 40 Hollywood films made in the 1920s. He was known for his acrobatic ability and versatility playing 25 characters in one film.

British career in the 1930s

Lane returned to the United Kingdom in the 1920s. In the early 1920s, he appeared in a range of theatrical performances. He dived through seventy-four stage traps in three minutes while performing in a 1921 pantomime show of Aladdin at the Hippodrome in 6 minutes, he was being followed by a demon.

He made his first appearance as Bill Snibson in Twenty to One written by L. Arthur Rose and Frank Eyton with music by Billy Mayerl. Lane co-produced this play with Sir Oscar Stoll. The production in which Snibson was a tout was a big hit playing on the West End for a year starting from November 1935 and going on a long British tour after that.

Me and my Girl, the follow up written by Rose and Douglas Furber with music by Noel Gay, was an even bigger hit. Snibson inherited a country estate and invites his mates from Lambeth to stay with him. It featured a hit song and dance routine from Lane called the Lambeth Walk which became popular throughout Europe in the late 1930s. Lane directed and produced the show as well as starring in it for 1550 performances between 1937 and 1940. It was the first British musical comedy to be televised and was made into a film in 1939 . The film was known as Lambeth Walk due to the popularity of the dance.

Subsequent career

The success of Me and my Girl made Lane a rich man. In 1946, after damage sustained during World War II, he purchased the shell of the Gaiety Theatre in the Aldwych to rescue it from dereliction, and provide a permanent home for comedic performance. He failed to win the financial backing to refurbish it and sold it in 1950. The theatre was demolished in 1956.

Lupino Lane died on November 10, 1959 in London, England at age 67 . Violet Blyth died 17 March 1983, aged 93.

Lupino Lane is buried at Streatham Park Cemetery and his memorial was recently restored by The Music Hall Guild of Great Britain and America.

Thursday, August 13, 2009

MIKE PADILLA: Stories

I've been contacted by Mike's niece, Teresa Tenekedjian, looking for more information on Mike's years with Alf Landon as well as his many years on Ringling and Beatty-Cole. If anyone out there worked with Mike over the years please take a moment to post your stories in the "comments" of this post to share with the family.



RED SKELTON: from the film "Lovely To Look At" (1952)

Video suggested by Mike Naughton



Dibs!

I called it.

Wednesday, August 12, 2009

BILLY VAUGHN: Yankee Doodle Circus

Billy Vaughn warming up the crowd at the Yankee Doodle Circus with a balloon act inspired by the classic acts of Dime & Connie Wilson and Blinko & Maran. Yankee Doodle owner and ringmaster Mike Naughton (very soon to reside in Sarasota, FL) in the background.

THE PICKLE FAMILY CIRCUS



THE PICKLE FAMILY CIRCUS

From Wikipedia...

The Pickle Family Circus was a small circus founded in 1975 in San Francisco, California, USA. The circus formed an important part of the renewal of the American circus. They also influenced the creation of Cirque du Soleil in Montreal. Neither circus feature animals or use the three-ring layout like the traditional circus.

After working with the San Francisco Mime Troupe, the Pickle Family Jugglers (founded by Peggy Snider, Larry Pisoni, and Cecil MacKinnon) decided to create the Pickle Family Circus. Their first show was in May 1975, in the gymnasium of John O'Connell School in San Francisco. After they received a grant from the National Endowment for the Arts in 1976, they went on their first tour, going to five cities in Northern California. During the late 1970s and early 1980s, the Circus performed on weekends in the Bay Area during Spring and Fall, and toured for 3 months in the summer, mostly in towns along Highway 101 in Northern California and Oregon. In these years, the Pickles operated with a business model that every show was a benefit, usually for a local community organization. The local sponsor sold advance tickets (getting a portion of the revenue), did publicity and site preparation, and ran a midway. The Circus returned to the same towns year after year, and these events became an important source of funding for the sponsors. This freed the company from much of the advance work. In 1979, the Pickles extended their tour to perform at the Alaska State Fair in Palmer, Alaska, and in 1981 performed a two-month winter run at the Roundhouse Theater in London.

A critical part of the early financing of the Circus was through the federal CETA Arts Program, founded by John Kreidler in San Francisco in 1974-75. Under this program, Larry Pisoni, Bill Irwin, Geoff Hoyle and Michael Nolan were employed. John Kreidler's Alameda County Neighborhood Arts Program was the Pickle's first fiscal sponsor, which received the $10,000 NEA grant. Nolan secured the grant with the assistance of Eric Reuther and then proceeded to book the first tour of Northern California. Among the sponsor's was Bill Irwin's mom, Liz Irwin, and her nonprofit Senior Center in Ft. Bragg.

In the early years, the circus boasted three clowns: Larry Pisoni, Bill Irwin, and Geoff Hoyle; they were the stars of a Pickle Family Circus production in 1981 called Three High. After Irwin left the Pickles in 1979, Pisoni and Hoyle worked as a duo. It was at this point that Hoyle evolved his Mr. Sniff character. The clowns were always central to the Pickle performance, making multiple cameo appearances throughout the show and interacting with the other artists.

The early company operated on three fundamental principles: All decisions were made collectively by the entire group, all members got the same pay, and all performers also had offstage jobs. Only a very few company members did not perform, serving the need to maintain an ongoing office while the company was on tour, and to have one person on hand who could get dirty during the show. The company had its office and rehearsal space in a former church at 400 Missouri Street at the corner of 19th Street in the Potrero Hill neighborhood of San Francisco, and many of its members lived in and were active in that community.

Juggling was always an essential part of the Pickle Family Circus, and every show ended with the "Big Juggle", involving almost every cast member in intricate club passing patterns.

Several members of the Pickle Family Circus were in the 1980 movie Popeye starring Robin Williams, including Bill Irwin (playing Ham Gravy), Larry Pisoni (Chico), Geoff Hoyle (Scoop), and Peggy Snider (playing Pickelina and credited as Peggy Pisoni).

The Pickle Family Circus is now a part of Circus Center, which comprises the San Francisco School of Circus Arts, the New Pickle Circus, and the San Francisco Circus; The New Pickle Circus stages a professional show mounted each December in San Francisco and several special productions throughout the year.



Tuesday, August 11, 2009

JOE VANI SHERMAN: From Arte Bausman

Pat,

Thanks for running Bill's photo of the Shermans. Joe Vani has been gone over a year now.


I was recently reconnected with a girl I knew in high school. She was my magic assistant. 

In the process of catching up, she mentioned that she had worked for the Greenville, Ohio newspaper as a reporter. She said that one of her fondest memories was when she got to kiss a clown at the circus. I've attached a copy of the photo. It was taken in 1981. 

She had no way of knowing at that time that I knew the clown she was kissing in the photo. When she showed me the photo, I looked at it, laid it down, rolled up my sleeve and showed her my tattoo of Joe. We've been dating ever since!

Thanks for all you do;
Arte Bausman

PS: I think the other two in the photo are George Jr. and Vicky Hanneford.



THE SECRET POLICEMAN'S BALL: Cha Cha Cha



Graham Chapman, John Cleese and Tim Brooke-Taylor who starred with Cleese on I'm Sorry, I'll Read That Again and both Cleese and Chapman on Not the 1948 Show prior to their work on Monty Python's Flying Circus.

MARIO: Kelly-Miller Festival Circus (2009)



Does anyone else like Morningstar Farms vegetarian chicken patties?

I like them a lot. I think that I like them best on Arnold's Multi-Grain Sandwich Thins with some lettuce and just a little bit of barbecue sauce.

I have a writing project that I have to finish up and then I might go to Old Navy today and get Shane some Marvel superhero t-shirts while they are still on sale. They have a cool Captain America one AND you get a free reprint copy of Amazing Fantasy #15 (first appearance of Spiderman) with every purchase.

Monday, August 10, 2009

CLOWN ALLEY: Shrine Circus; Barbecue Gag (undated)

Photo courtesy of Bill Strong



Rex Young, Antar Wazzan, Joe Sherman and Charlie Cheer performing together on an unknown Shrine Circus date.




MONTY PYTHON: The History of the Joke


There is a longer version of this sketch on the Pythons' Live at the Hollywood Bowl but this one is from one of The Secret Policeman's Balls, a series of benefit shows for Amnesty International.

Sunday, August 09, 2009

STEVE COPELAND AND RYAN COMBS: Kelly Miller 2010



I am extremely happy to report that Steve Copeland has just announced that both he and Ryan Combs have signed on for another season with the Kelly-Miller Circus!!!

If you haven't seen them in action yet, GO! Their gags are funny, fast-paced and performed with a level of dedication to their craft that is rarely (if ever) seen in traditional American "mud show" clowning anymore.

These two are the "real deal" and I sincerely hope that K-M continues to afford them the freedom and opportunity to keep blowing the doors off of just about all of the other clowns currently on the road. Anywhere.

THEATERCLOWNS PALLASSO



Friday, August 07, 2009

I COME AND STAND AT EVERY DOOR: On the 64th Anniversary of the Bombings of Hiroshima and Nagasaki




Written by N.Hikmet

I come and stand at every door
But no one hears my silent prayer
I knock and yet remain unseen
For I am dead, for I am dead

I'm only seven although I died
In Hiroshima long ago
I'm seven now as I was then
When children die they do not grow

My hair was scorched by swirling flame
My eyes grew dim my eyes grew blind
Death came and turned my bones to dust
And that was scattered by the wind

I need no fruit I need no rice
I need no sweets nor even bread
I ask for nothing for myself
For I am dead, for I am dead

All that I ask for is for peace
You fight today, you fight today
So that the children of this world
May live and grow and laugh and play

Nâzım Hikmet, was a Turkish poet, playwright, novelist and memoirist. He was acclaimed for the "lyrical flow of his statements". Described as a "romantic communist" and "romantic revolutionary", he was repeatedly arrested for his political beliefs and spent much of his adult life in prison or in exile. His poetry has been translated into more than fifty languages
Hikmet's poem Kız Çocuğu (The Little Girl) conveys a plea for peace from a seven-year-old girl, ten years after she has perished in the atomic bomb attack at Hiroshima. It has achieved popularity as an anti-war message and has been performed as a song by a number of singers and musicians worldwide.
Zülfü Livaneli (on Nazım Türküsü) has performed a version of the original Turkish poem. A loose English translation of Kız Çocuğu known as I Come And Stand At Every Door has been performed by The Byrds (on the album Fifth Dimension), Pete Seeger (on the album Headlines & Footnotes), This Mortal Coil (on the album Blood), and The Fall on their 1997 album Levitate, albeit omitting the last verse and wrongly attributing writing credits to anon/J Nagle. 
Fazil Say included the poem in his "Nazım" oratorio". In 2005, famed Shima-Uta singer Chitose Hajime collaborated with Ryuichi Sakamoto by translating Kız Çocuğu into Japanese (retitled 'Shinda Onna no Ko' [死んだ女の子]). It was performed live at the Atomic Bomb Dome in Hiroshima on the eve of the 60th Anniversary (August the 5th, 2005). 


Sunday, August 02, 2009

Thursday, July 30, 2009

CONGRATULATIONS CHRIS AND MICHAEL!




Congratulations go out today to Coney Island Chris Allison for advancing to the next round on America's Got Talent last night as well as to Michael Rosman who appears (from the back) on the front page of today's Washington Post!


VINGT-QUATRE HEURES DE LA VIE D'UN CLOWN (1945)

Link discovered by Jon Davison



Jean Pierre Melville's first film, the 1945 short 24 HOURS IN THE LIFE OF A CLOWN featuring the great Medrano clown, Béby. His whiteface parter here is Maïss, not his better known partner Umberto "Antonet" Guillaume, who passed away in 1935.

This print of the film is rather unfortunately "narrarated" in Russian over the original French soundtrack.


Tuesday, July 28, 2009

TOM DOUGHERTY REMEMBERS: RBB&B Blue Unit Clown Alley (1979)

Photos courtesy of Tom Dougherty,
restored by Todd Robinson of Sure Service Photo in Neptune, NJ

Tom gave me these great photos as slides when I saw him in Baltimore a few months back. I dropped them off with Todd who cleaned up, and color-corrected, the images for us...



Terry Parsons



Peter Pitofsky and Prince Paul Alpert



Ricky Parrott



Tuba Heatherton, John Wilkenson, Kelly Tansy and Mitchell Beal



Jeff Loseff



Tom Dougherty



Bernice Collins, Judy Beth Ashworth, Peggy King



Peter Pitofsky, Judy Beth Ashworth, Terry Parsons, Kenny Columbo,
Scott Parker, Ricky Parrott, Danny Rogers, Barry Lubin and Joe Wesson.



The Prince!


Friday, July 24, 2009

ROBERT NELSON: The Butterfly Man


A great comedy brain that I was fortunate enough to have the privlege to pick for several years at Motionfest, Mr. Robert Nelson.

THE NITWITS: Lily of Laguna


Without any introduction on this clip I'm not sure if this is The Nitwits, Nuts & Bolts or another version of the group.

YEFIM SHIFRIN: Celebrity Circus of the Russian Stars


I'm not sure who the clown is but this looks like another clip from the Russian "Circus of the Stars" show.

Isn't this one of Yuri Nikulin's routines?

Tuesday, July 21, 2009

KEITH CRARY: Great Circus Parade 2009


Photos by Art Talaugon, courtesy of Verne Langdon



Mr. Crary, an award-winning Hollywood makeup artist, does Ernest Borgnine's Bobby Kay-designed makeup before each parade.



I don't think Keith performs much anymore but I wish that some show would hire his services for promotional work. He's probably America's greatest living picture clown and his extravagant clown wardrobe and meticulous makeup would add an immeasurable amount of genuine razzle-dazzle and lend the air of classic, old fashioned professional showmanship that is sorely lacking in most contemporary American circus promotion.


PETER SHUB



SMYTHE & ROSE



THE BISBINIS



Saturday, July 18, 2009

THE PLATT BROTHERS: America's Got Talent



DAVID LARIBLE: Festival International du Cirque de Monte Carlo (2006)



And congratulations go out to Maestro Larible on his July 13th extraordinary performance at Grock's legendary Villa in Oneglia (Imperia, Italy), just fully restored, for the 50th anniversary of Grock's death.



Monday, July 13, 2009

VICTOR BORGE











GREAT CIRCUS PARADE 2009



I watched the parade last night, in the comfort of my own TiVO, and was glad to see Bill and Michele Machtel, Trisha Manuel and Keith Crary all get some screen time. I was also glad to see Mr. and Mrs. JRN II getting the royal treatment in their horse drawn carriage.

Has anyone heard anything about the shows?